The Curious Tale of the Anti-Equal Opportunities Dog

by Ziggi Alexander

I was at Peralta during mildly annoying autumn weather. I braced myself each morning for the spectacular view over the valley. Despite several layers of expensive clothing, I sometimes froze as I gazed transfixed at that scenery, blocking out the chatter of my fellow guests so that I could concentrate on being inspired.

Taking a break after a successful morning's work, I watched a West African man walk up the steep Tuscan road. He was tall and approaching handsome, but was weighed down with all sorts of gear, including a mini-strimmer and a large spray gun. He passed me with a white teeth smile, and some Italian words. ‘Inglese,' I shouted back. I didn't catch his response because out of nowhere came ferocious barking, followed by the resident dog whose determination to tackle such large prey took me by surprise, but the African reacted with the speed of experience and darted up the steps to the furthermost terrace.

My heavy-footed prancing distracted the animal long enough for it to draw a breath. Before the imitation guard dog could take off with renewed vigour, my one-time place of contemplation was invaded by the taciturn owner, Thomas. The dog instantly started whimpering and crouching, as if to say, I had attacked it. The master wasn't fooled one bit, and proceeded to chastise his pet in a manner worthy of an audience greater than one. But I was on the ball too and quickly realised that the type of onlooker rather than the number was key to the unfolding histrionics.

The pantomime was vaguely entertaining, and put me in mind of my childhood friend, Judy, a mongrel who also had a tendency to select enemies along racial or ethnic lines.

Back in the Peralta chaos, with the mini-strimmer strumming on the top terrace and the man's best friend howling to its own tune, Thomas explained his exaggerated frustration with Jet. For starters, Jet behaved irrationally whenever a black person was sighted. The ‘damn idiot' refused to obey him; in fact, ‘IT' redoubled hostilities when scolded. What was a fair-minded, peace-loving man to do when faced with these antics? It was always embarrassing, and sometimes downright dangerous, to have a ‘Mutt' that only chased black people. ‘Why don't I have an Equal Opportunities dog?' he moaned. I was too amused to comment. Dubbed the friendliest creature in Italy by my companions, whenever I encountered his pet, it would manage to present me with its butt rather than its appealing head to stroke. I thought it might be a racist bitch, but I was trying not to leap to conclusions. Embarrassing? I had little sympathy for Mr Politically (In)Correct because, as a schoolgirl, I frequently witnessed my beloved Judy bark crazily at the black factory workers knocking-off at the end of the day shift, while completely ignoring their white colleagues.

Back then, I was too troubled by the impact of the noise to listen to the tone of Judy's yapping, or consider an alternative explanation for the aggressive lurches towards the innocent immigrants. Once a man screamed at me, ‘Your dog is racist.' I accepted this with the shame and pain of a mother who hears for the first time that her precious child is a serial rapist, and knows it to be deep-down true. My Mum told me not to be ridiculous as I cried over my tea, and refused to let me change my routine and walk the dog after the factory had closed for the night. ‘Stop being a baby. You're a young adult for goodness sake.' I remember her words exactly, because I discovered then what it was like to hate your own mother.

But I can put the record straight now. Judy may not have been an Equal Opportunities dog, but she was no racist. She was more what an ignorant, white Southern gentleman might have described as a ‘nigger lover'. In the clarity of an unseasonably cold Peralta day, it dawned on me why the poor thing got excited whenever she saw people resembling her human family. She disobeyed me because she thought she was heading for a kind of hugs, pats, tickles and strokes heaven, and she couldn't understand why I would deny her such doggy bliss. I was only eleven; too inexperienced to distinguish the bark tones of delirium. So I allowed my puppy to be labelled racist and, despite my subsequent anti-racist career, I resisted any revisionist theorising until the Peralta experience forced me to acknowledge the truth.

Of course, that truth wasn't enough. I was also destined to question my relationship with an icon born two centuries ago: was my only hero a racist? The answer is not obvious. Twenty years ago, I so wanted her to be black with a political ‘B' that I was prepared to contort the truth if necessary. Hadn't I convincingly explained her use of the term ‘nigger' to describe people like me? How many more times could I use the poor memory excuse on visits to Istanbul, to avoid giving my best friend a copy of my book and the concomitant pain of reading the biased observations about Turkish people? Yet the Peralta vision forced me to confront my potential culpability now, lest my 1970's interpretation of nineteenth century attitudes to race and class be judged duplicitous by an academic court, and my work consigned to the trash-can for failed historians.

The name of my solitary hero is Mary Seacole. She published her autobiography in 1857 in the aftermath of the Crimean War, in which she made her name helping the hungry, sick and wounded on and off the battlefields. The Mixed Heritage, Jamaican-born, adventurer and clinician was as complex as her historical contexts – African slavery, followed by statutory emancipation; colonialism led by the Europeans and the beginnings of New World imperialism; not to mention the inferior position of women globally. Suffice it to say that my extended moment of clarity on the Tuscan hills has led to some challenging research, and the results of my endeavours will appear in an academic journal in the Spring.

© Ziggi Alexander

Although based on an actual incident at Peralta, the characters of Thomas and his dog Jet, are entirely fictitious. Ziggi Alexander is co-editor of the first modern edition of Wonderful Adventures of Mrs Seacole in Many Lands (Falling Wall Press, 1982). She has written a number of articles on management topics and has been involved in publications on Librarianship, being the author of a seminal work on Public Libraries and Afro-Caribbean Communities (AAL, 1982) and co-editor of The Whole Library Movement (AAL, London, 1993). She has undertaken research to support a number of exhibitions, most notably in the 1980's, Roots in Britain (UK and international) and The Edwardian Era (Barbican), co-writing the exhibition book for the former and contributing essays on Samuel Coleridge Taylor, Black Politicians and eighteenth and nineteenth century entertainers for the latter's companion book. In addition, Ziggi has organised exhibitions and produced several articles and booklets on Mrs Seacole over the last twenty years. Having endured a successful but soulless career in public sector management, culminating in the award of CBE in 2001, Ziggi is now tentatively searching for her lost creativity. She travelled to Peralta to rediscover the pleasures of writing. She achieved her desire on day one of the course. Ziggi has completed one, and intends to embark on a second, more ambitious Seacole project in the Americas, before laying her relationship with her hero at a final resting place, probably in Panama. After that, who knows?
Contact details: mail@ziggialexander.com

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