Heather has studied
for periods of time at the Slade and completed short courses in Design
and drawing for the stage at the Motley Design Theatre in London with
tuition from the head of the Model room at The Royal Opera House and
Head of Production at the National Theatre. In addition she has studied
art for film with Art Director Jean Peyre at Twickenham Studios. Her
work, primarily in watercolour, has followed her extensive travels
as part of her working career as an engineer in the oil and gas industry.
Heather's travels have taken her through Europe, Scandinavia, Canada,
America and Mexico, China, North Africa, the Middle East and she spent
almost ten years living, working and painting in Australia. The Stage
described her work for 10 touring set panels for the Marriage of Figaro
as ' gorgeously designed'.
Heather won a watercolour
award for her work in Australia in 1986, where she has had a number
of successful solo exhibitions. The latest at the Perth Gallery in
1997, featured work from Venice and the Middle East.
In London Heather
had a successful exhibition of her work at The Art Collection Gallery
in Chelsea in 1995 and her work was selected for exhibition at the
Royal Watercolour Society Summer Exhibition at the Bankside Gallery
in London.
Most recently Heather
has spent time in a cottage on the Essex/Suffolk border, where she
has been entranced by the light and ever changing skies of Constable
Country. Her work covers a wide variety of subjects including, the
broad open landscape of the Essex countryside; the detailed decay
of Venetian canals; the dry burnt landscapes of the Australian and
Jordanian deserts as well as delicate watercolour portraits of children.
Her eye for understanding balance and structure are impeccable. While
some of her studio work, reflects Heather's engineering training,
being grounded and solidly constructed she has the ability to work
'al fresco' to capture the fleeting colours of dawn and dusk.
Heather's work is
figuratively based, and in the nature of the medium of watercolour
her work is influenced by the effects of light and how it can reveal
and illuminate different aspects of the landscape at different times
of the day. Heather's East Anglian work in particular reflects the
sense of space and the sweep of rolling farmland. Her favourite time
of year for painting is harvest when the textures and colours of the
landscape are rich and dramatic and the threat of summer storms is
a constant danger.